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Singapore is a cosmopolitan city located at the heart of Southeast Asia. Bustling with spectacular festivals and world-class events, Singapore is a leading destination for both business and leisure travellers.
The dynamic and multi-cultural city offers a rich blend of ethnic and historical heritage, appetising Asian cuisine and great shopping places. Singapore's excellent infrastructure enables visitors to access all major attractions in a safe, clean and green environment.
For more information on Singapore, visit www.yoursingapore.com.
Travel Essentials
Here are some travelling necessities to note before your trip.
Arts and Culture
Singapore's arts and cultural scene is diverse and vibrant. With increasing knowledge and appreciation of quality arts and culture programmes, Singapore is becoming the regional centre for international arts events. To find out more about upcoming festivals and events, click here.
Additionally, here are some links for you to explore Singapore's arts scene:
Embassies & Consulates
For consular information on travelling to Singapore, please visit:
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Hop on the Biennale Bus to join in the Open House action!

Schedule stated is correct at time of posting. Actual departure times may vary depending on traffic conditions. The organiser has the right to make changes without prior notice.
Bus schedule |
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Tours are available from 19 March.
English Tours
Weekends and public holidays at
11am and 2pm.
All venues (except
Marina Bay).
Weekdays at 11am
Tuesdays & Fridays:
Old Kallang
Airport
Wednesdays:
National Museum
of Singapore
Thursdays: SAM at 8Q
Mandarin Tours
Saturdays at 3pm:
National Museum of Singapore and
Old Kallang Airport
Sundays and public holidays at 3pm:
Old Kallang Airport and
SAM at 8Q
Japanese Tours
Mondays at 11am:
Old Kallang Airport
Fridays at 10.30am:
Singapore
Art Museum
Fridays at 1pm:
National
Museum of Singapore
English and Japanese tours are conducted by Friends of the Museums (Singapore) and Museum Volunteers. Mandarin tours are conducted by Chinese Research Group, Mandarin Group and Mandarin Docents.
Group Tours
Call 6332 5397 or email education@singaporebinenale.org at least 2 weeks in advance. Subject to guide availability.
School Tours
Free interactive school tours weekdays at 10am, 2pm and 3pm (except public holidays) at all museum venues from 21 March 2011. Please contact education@singaporebiennale.org at least 3 weeks in advance. All tours are in English and are subject to guide availability.
Tour schedules here |
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| Explore SB 2011 on your own! We’re working hard to ensure an absolutely enjoyable experience. Details will be available soon. |
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| An education kit for teachers will be available for download on this website from 13 March 2011. |
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Enter our Open House!
VENUES
Singapore Art Museum and
SAM at 8Q
National Museum of Singapore
Old Kallang Airport
Marina Bay
OPENING HOURS
10am – 7pm daily
(Last entry 6.15pm)
ADMISSION
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| Adult |
$10 |
| Student |
$5 |
| Senior citizen 60+ years |
$5 |
| 20% off adult admission for 20
or more people |
Includes one-time entry to all venues, one complimentary Short Guide and one-time free audio guide rental at all venues.
Free Admission (with valid identification)
Children 6 years and under
Singaporean or Permanent Resident senior citizens
Full-time National Servicemen (NSFs)
Local schools students and teachers
Old Kallang Airport and Marina Bay venues free entry for all.
Audio guide $3 (for rent or downloadable Smartphone application on iTunes and Android Marketplace) and Short Guide by donation for those who enjoy free admission.
Tickets available at all SB2011 venues except Marina Bay.
Find out how |
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| Open House merchandise galore-shop building in progress. Shop at the Biennale - until you drop, guaranteed! |
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Tatzu Nishi, Engel, 2002, Installation views, The Cathedral of Basel, Courtesy and © the artist |
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| Singapore Biennale 2011: Open House |
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Featuring 60 artists from 30 countries, the third Singapore Biennale, titled 'Open House', will be open to the public from 13 March to 15 May 2011. Over half of the artists are creating new commissions or premiering new works. 'Open House' is presented across four exhibition venues, each with their own particular character, that draw upon emblematic spaces in Singapore: Housing Development Board flats (Singapore Art Museum and 8Q), shopping centres and night markets (National Museum of Singapore), and international air and sea ports (Old Kallang Airport). Major art works at Marina Bay will amplify individual experience in the city.
In Singapore, at Hari Raya, Deepavali and Chinese New Year, people open their homes to others, inviting them to visit, eat and talk. This is not only a gesture of hospitality and good will but also an opportunity to reflect, negotiate and exchange. The threshold between the private and the public is made permeable, if only for a moment, relaxing boundaries between individuals and barriers between groups.
Contemporary art often emerges out of a need to communicate across such thresholds of difference that may be experiential, psychological, or grounded in social and political hierarchies. As such, artists' practices are not simply about something in the world, they are real attempts to exchange information, translate experiences and even trade places. Borders may be guarded with force, yet artists find ways to embed themselves within such systems of control, turning unspoken desires toward unexpected ends. Sometimes artists displace or exchange objects, materials and information from one context to another, revealing unexpected connections between culturally divergent situations. The labour of constructing or deconstructing common objects and materials highlight the creative potential in seemingly mundane situations, suggesting fresh ways of seeing the world.
'Open House' examines these artistic processes and their links to the daily transactions that take place between people. From trading objects to swapping stories, from sharing food to dressing up, we are constantly making exchanges, as individuals, groups, cities and nations. In the world's busiest port, a multicultural city built on trade, 'Open House' brings together artworks that offer multiple perspectives and myriad creative approaches to questions of how we move across borders, see other points of view, and form connections with others.
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| The Curatorial Team: Matthew Ngui, Russell Storer and Trevor Smith |
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Matthew Ngui
Artistic Director,
Singapore Biennale 2011 |
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Matthew Ngui is a visual artist, trained in sculpture and working in the areas of installation, video, performance and public art, with a focus on site-specificity and community engagement. He lives and works in Singapore and Australia and exhibits regularly in Asia, Europe and Australia. |
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Major exhibitions include Documenta X (1997) and biennales in São Paulo (1996), Venice (2001) and Gwangju (2002). Ngui has taught at the Australian National University, Curtin University of Technology and Edith Cowan University (Australia); Nanyang Academy of Fine Arts (Singapore); Ecole Cantonale d'Art du Valais (Switzerland); and participated in workshops and residencies in Austria, Japan, Holland, Switzerland and Venezuela. He was chairman of the Artists Regional Exchange in Perth (dates), served as a council member of the National Arts Council and on the Public Art Appraisal Committee of the National Heritage Board (Singapore), and on the boards of the Singapore Art Museum and the Perth Institute of Contemporary Arts. In 2007 the Museum of Contemporary Art, Sydney presented Points of View, a major survey of Ngui's art practice over two decades, which travelled to the John Curtin Gallery for the Perth International Arts Festival and the National Museum of Singapore for the Singapore Arts Festival in 2008.
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Russell Storer (Australia)
Curator Singapore Biennale 2011 |
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Russell Storer is Head of Asian and Pacific Art at the Queensland Art Gallery, Brisbane, Australia, and was part of the curatorial team for the 6th Asia Pacific Triennial (2009–10). He was formerly a curator at the Museum of Contemporary Art, Sydney, where he organised the group exhibitions Video Logic, Interesting Times, and Situation, as well as exhibitions by artists including Simryn Gill, Matthew Ngui, Paddy Bedford, Juan Davila, Ugo Rondinone, and Simon Starling. He was a visiting curator at documenta 12 in 2007 and a Curatorial Comrade for the 2008 Biennale of Sydney. He studied art history at the College of Fine Arts, University of New South Wales and the University of Sydney, and has written on contemporary art for a range of Australian and international publications. |
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Trevor Smith (Canada/USA)
Curator Singapore Biennale 2011 |
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Trevor Smith is Curator of Contemporary Art at the Peabody Essex Museum in Salem, Massachusetts, USA. Previously, Smith was Curator in Residence at the Centre for Curatorial Studies, Bard College where in 2006 he co-curated Wrestle, the inaugural exhibition at the Hessel Museum and in 2007 presented Martin Creed: Feelings, the first large-scale survey of this artist's work. From 2003 to 2006 he was Curator at the New Museum of Contemporary Art in New York City where, among other projects, he co-curated the exhibition Andrea Zittel: Critical Space and presented a major survey of the work of Brian Jungen. Smith was born in Canada and studied art history at the University of British Columbia. From 1992 to 2003 he was based in Australia where he held positions with the Biennale of Sydney, Canberra Contemporary Art Space, and the Art Gallery of Western Australia. Exhibitions there included a major retrospective of Robert MacPherson's work in 2001 and The Divine Comedy: Francisco Goya, Buster Keaton, William Kentridge for the Art Gallery of Western Australia and the Perth International Arts Festival in 2002. He curated the Australian representation at the 2002 Sao Paolo Bienal and was a Correspondenti for T1, the first Torino Triennale in 2005. Recent exhibitions include 1+1+1=3 (Robert MacPherson, Manfred Pernice, and Katarina Seda) for Culturgest Lisbon, and I Repeat Myself When Under Stress (Ceal Floyer, Hans Schabus, and Tris Vonna-Michell) for the Museum of Contemporary Art Detroit (with Thomas Trummer). He has published widely in exhibition catalogues and journals in North America, Europe, Australia and Asia. |
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| About The Organiser: Singapore Art Museum |
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The mission of the Singapore Art Museum (SAM) is to preserve and promote the contemporary art practices of Singapore and the Southeast Asian region. Opened in January 1996 as a museum under the National Heritage Board of Singapore, SAM has amassed one of the world's largest public collections of modern and contemporary Southeast Asian artworks. Since 2009, SAM has focused its programming and collections development initiatives around contemporary Southeast Asian art and art practices.
Through strategic alliances with arts and cultural institutions and community organisations, SAM facilitates visual arts education, exchange, research and development within the region and internationally.
With Tan Boon Hui at the helm as its director, SAM is also the organiser of the Singapore Biennale 2011.
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About The Supporter:
National Arts Council |
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| The National Arts Council was established in September 1991 to spearhead the development of the arts in Singapore. To realise its vision of developing Singapore into a distinctive global city for the arts, NAC provides total support to nurture artistic talent, promotes the practice and appreciation of the arts among Singaporeans, builds up capabilities and resources, facilitates internationalisation and advocates the value of the arts. Through its holistic range of programmes and initiatives to develop the entire arts value chain, the Council champions the growth of a vibrant arts sector where the arts is accessible to all, and the community of artists, arts groups and arts businesses can innovate, excel and achieve sustainability in the long term.
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| Past Singapore Biennales |
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The Singapore Biennale aims to position Singapore as a leading international centre for the visual arts. It encourages Singapore to participate in the global field of contemporary art, inviting artists from around the world to the city and providing local audiences with a wide range of art experiences. Inaugurated by the National Arts Council, the Biennale provides significant opportunities for Singaporean visual artists and arts organisations, and is an occasion to cultivate deeper public engagement with the arts. It complements Singapore's achievements in other areas of arts and culture, collectively enhancing its reputation as a vibrant city in which to live, work and play.
Singapore Biennale 2006
The first Singapore Biennale was held over 10 weeks in 2006. It featured 95 artists and artist collectives from 38 countries, particularly from Asia, the Middle East, Latin America and Africa, and received over 800,000 visitors. The Biennale's Artistic Director. Tokyo-based Fumio Nanjo, worked with curators Eugene Tan, Sharmini Pereira and Roger McDonald to develop a vibrant and challenging project presented across a range of dynamic venues, including art galleries, religious sites and historic buildings. Titled 'Belief', the exhibition explored faith, spirituality, identity and memory within the context of Singapore's richly multicultural urban landscape.
Singapore Biennale 2008
The second Singapore Biennale, held over 8 weeks in 2008, was again helmed by Fumio Nanjo, this time working with the curatorial team of Joselina Cruz and Matthew Ngui.
Under the theme of 'Wonder', the Biennale invited people to be 'surprised and tantalised' by contemporary art. Foregrounding beauty and aesthetic experience, the exhibition also used the other meaning of the title to encourage questioning and debate. 66 artists from 36 countries participated in the exhibition, which attracted over 500,000 visitors.
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